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This is a New York drama so laidback that it has taken a decade to arrive on the UK’s cinema screens. Initially unveiled in the US in 2015, it’s an ultra-low-budget debut from debut filmmaker Charles Poekel, taking place largely on a 24-hour pop-up Christmas tree stall. Poekel’s style remains decidedly genuinely independent and naturalistic to become slushy or sentimental about Christmas; in his view Christmas tree lights flash like police lights. But with its subtle approach, he positions the movie just right for a little squeeze of festive warmth.

A Jaded Seller in the Brooklyn Cold

Kentucker Audley stars as Noel (someone had in the film to joke about his name for the connection to be made). Noel is back for his fifth year selling Christmas trees in Brooklyn, working outdoors in the freezing cold and sleeping in a not-much-warmer caravan parked next to the trees. A few customers inquire after the girl assisting him last year. But this year Noel works solo, heartbroken and working the night shift.

There’s a documentary feel to many of the scenes, with customers posing pointless random questions. A customer wants the same Christmas tree as the Obamas (this is 2014). Noel looks numb with cold in body and spirit; he’s exhausted and disenchanted, though Audley’s subtle performance clearly indicates that he hadn't always been like this.

Understated Moments and Glimmers of Hope

Frankly, not much happens. Noel rescues a woman, Lydia (Hannah Gross), who has collapsed drunk on a bench. She pops up again later in truly poignant scenes as Noel travels through New York, making tree deliveries – and these moments could ignite a small glimmer of good cheer in the grinchiest of hearts. Poekel hasn’t made a feature since this, which is regrettable – you can’t beat it for naturalness and ease, and it’s shot on beautifully grainy 16mm film.

A film of quiet charm and authentic mood, capturing the solitude and brief connection of the holidays.

Christmas, Again arrives in UK cinemas from 12 December.